A byproduct of screen printing in the Bay Area. Sometimes you have to redraw a lot of friggin’ boats in vector format.
I want a goddamn boat.
Separating artwork that relies on Blending Modes can be really annoying. Do I gang up the greys into one screen and rely on dot gains to emulate the different levels of grey? Or should I go crazy and separate all those different greys. FUN!
Dear Adobe,
Surely you can get Color Range… to better differentiate between Cool Grey 9C and Black, right? Pretty Please?
Just starting color separations.
So bittersweet. Working on Taste of Chicago shirts for Dominick’s this year… but I can’t go! Boogers.
Miss you Chicago!
For a ganged up file with multiple artwork. At least 37+ layers.
BUT, it was only for a 2 color graphic. 3 sets.
Please don’t do something like this. It’s retarded. Luckily my work load is light today.